The Power of Partnership: Guest Post by Emmie Mears

Greetings, dear readers! Today we have a guest post from the awesome Emmie Mears, whose debut novel, The Masked Songbird, will be released from Harlequin on July 1. Check out what she has to say, and then be sure to run on over to Amazon and pre-order your digital copy today! 

The Masked Songbird_FC (2)The Power of Partnership

Many parts of life require partnership. We all know the saying about how no one’s an island, yadda yadda, but when you’re in a creative profession, you can often feel like one. In my early days of writing, I wrote like an island. I didn’t seek out critique. I didn’t read craft books. I worked in an extreme version of “write what you know.”

It wasn’t until I started really reaching out to other writers that I was able to kick my writing into the next gear. My lovely host and bosom friend, Kristin, was one of those writers.

When I started querying my first novel, I had high hopes. I thought it was ready. I’d written two and a half books and had been over my first one about fifteen times in four years. I loved my characters and my story, and I was sure I was going to get an agent.

“If you’d brought this to me four years ago, I could have sold it in a hot second.”

Those were the words I heard from a powerhouse agent at my first writing conference in New York. I was shocked, but not crushed. I got a few requests from other agents that day, all of which petered into rejections. A couple months later, a bestselling author contacted me and said she liked my blog so much that she wanted to read my fiction. I sent her the first couple chapters of this book, and crossed my fingers. When she called me to talk about it, I heard the best words I think I’d heard to that point in my career:

“I don’t think this is submission ready.”

Deep down, I’d known that I hadn’t really been editing it; I’d been tinkering. I’d been on my writing island for so long that I’d been writing around in circles without realizing it.

I put that book aside to think. Two months later, I started another book. I finished it six weeks later. That was two years ago. By then, I had a team of fantastic betas and Kristin for a critique partner. In two months, I had it polished up and ready to query.

Kristin graciously agreed to host me today. I couldn’t think of a better place to start this blog tour, because that little book I scribbled out in six weeks was THE MASKED SONGBIRD, which is coming out two weeks from today from Harlequin.

Without partners, I don’t think I would be here right now. Without the feedback of people (some of it hard to hear), my debut wouldn’t yet be happening.

We really aren’t islands; even in creative professions, we need the community of peers who can offer insight and encouragement. While people can go it alone sometimes, having partners who are with you on the same path can help you get to your destination faster.

You can preorder THE MASKED SONGBIRD here (http://www.amazon.com/dp/B00JD7TWZK)! Released in a box set, you get four great paranormal and urban fantasy books for less than $4!

Follow Emmie on Twitter @EmmieMears or come join her on Facebook!

IMG_7239Emmie Mears was born in Austin, Texas, where the Lone Star state promptly spat her out at the tender age of three months. After a childhood spent mostly in Alaska, Oregon, and Montana, she became a proper vagabond and spent most of her time at university devising ways to leave the country.

Except for an ill-fated space opera she attempted at age nine, most of Emmie’s childhood was spent reading books instead of writing them. Growing up she yearned to see girls in books doing awesome things, and struggled to find stories in her beloved fantasy genre that showed female heroes saving people and hunting things. Mid-way through high school, she decided the best way to see those stories was to write them herself. She now scribbles her way through the fantasy genre, most loving to pen stories about flawed characters and gritty situations lightened with the occasional quirky humor.

Emmie now lives in her eighth US state, still yearning for a return to Scotland. She inhabits a cozy domicile outside DC with two felines who think they’re lions and tigers.

 

A Writerly Proposal: Collectives

This opinion piece from The New York Times, called, “The Loneliness of the Long-Distance Reader,” has sparked a small Twitter revolution this evening (one of many, I’m sure), and got my husband and I chatting once again about publishing.

Writers and readers like Colin Robinson, author of that post and—dare I say it—elitist reader, likely detached from “average” readers like myself, the voracious consumers of genre and commercial fiction, argues that the digital ADD of contemporary readers has led to the death of the midlist and the popularization of writing and reading generally, the so-called “displacement of literary culture’s traditional elite.” He says that current publishing models are leading to the death of the midlist author and a general decline in quality, both of written works and engagement of readers with books and each other.

That’s quite a mouthful.

Needless to say, I wasn’t a fan of the “article,” and I’m quite sick of seeing opinion pieces bemoaning the sad state of readership and fiction.

Yes, yes, anyone can self publish on Amazon, and yes, yes, cheap prices may be cheapening content. Yawn. I’m sick of the bitching and ready to start seeing some positive action to make things better.

I’ve gotten myself away from the point I wanted to make—you see, this is the drivel written by easily distracted, untrained female writers like myself!

*grin*

Anyway, husband and I were talking, and my recent infatuation with the marvelous and magical anthology Queen Victoria’s Book of Spells made me think that I’d love to see collectives of writers in similar genres and with similar styles producing serialized novels and/or collections of short stories in digital format.

Writers like, say, the Spellbound Scribes, could work together and release a monthly e-zine of fiction that readers could subscribe to for a low fee, and we split the revenue among contributors. Readers get to read writers they love and meet new authors, follow novel-length stories month by month, and read shorts from writers who aren’t contributing a long work at the moment. If an author I knew I loved joined in on such a project, I’d subscribe in a heartbeat.

Voilà. A new model, right there, one that benefits readers and indie writers. Yes, it’s a commitment. Yes, we would have to police our own quality, and yes, we would need to recruit an artist or two to contribute. But that’s why it’s a collective: authors work together to write, market, and publish their own work.

Easier said than done, but I’m nothing if not a dreamer.

 

Why Write: YA with Steph Sessa

Today Steph Sessa is here to talk about YA and why teen stories have such a profound effect on people of all ages. Enjoy!

Hello, Steph, and welcome! Tell us a little about yourself and your work.

Hi! Thanks for having me! I’m a Philadelphia-based writer with obsessions in linguistics, music and ultimate frisbee. When not writing, I work part-time as a linguistic researcher and go to grad school for education. I write primarily YA, particularly speculative fiction, though recently I’ve been dabbling in NA contemporary.

What made you decide to write for young adults?

I think I’m one of the few people who loved high school. Like absolutely loved it. Yes, at times it was tough. But the experiences I had there are some I’ll never forget. It’s the time when everything matters and there’s so many emotions and you feel everything. All the emotions are amplified and part of the reason to read is to feel, so YA was just the obvious choice for me.

You also describe some of your work as speculative fiction — what exactly does that mean?

Speculative fiction is just a broad term for the fantastical genres, so fantasy, urban fantasy, paranormal, horror, scifi, dystopian etc.

What types of stories does young adult make possible? How about speculative fiction?

So many! YA is the time for self-discovery and new relationships (whether it’s boyfriends or just new friendships). It’s about finding out who you are and how to navigate relationships with other people. Speculative fiction allows the reader to get lost in a different world and to take a break from reality for a second. Readers can discover new worlds and situations that they can’t get in their every day lives. It’s an escape.

Aside from the obvious, what audience do you think YA attracts? Why do you think so many adults love to read YA fiction?

With YA it’s all about the feeling. As I said above, emotions are amplified so everything is terrible or amazing. Insecurities come out in the characters and all readers can relate, because everyone is insecure about something. I think adults like YA because it reminds us of a time in our lives when everything mattered, but we weren’t bogged down with car payments or rent or other boring things like that. It’s about relationships, which really are the most important things in life, and I think young adults and regular adults like to see that.

How does the audience alter the types of stories you tell and characters you write?

Everything has to be intensified. Since teenagers tend to have shorter attention spans (as do I!) things have to get going right from the beginning. Tension in the first page, first paragraph, first line. Hooking the reader early on is incredibly important because they might not give the book a chance otherwise. So the plot has start early on or the characters have to be interesting enough for the readers to want to spend 250+ pages with them. The characters have to change from the beginning to the end more prominently, because YA is about growth.

How does YA affect the stakes for your characters and your audience? And speculative fiction?

The problems aren’t going to be the same things I face on a day to day basis. For YA, they’re going to be problems that sixteen-year-olds usually have, so a fight with a friend, boyfriend, parent. They’re inter-personal problems. But including speculative fiction means including scenarios that you might not see everyday because of the setting. So maybe there are different species living in that world that’s hostile, or there’s a dystopian government that affects every aspect of life. So it’s the relationship problems plus a big picture problem.

How do you think your genre affects your audience?

My audience is going to be the people who read to feel and read to get lost in a world. Speculative fiction tends to have a lot of world building which can be a lot to take in sometimes. But it also has the chance to enhance the story significantly. It’s growth and emotions of the main character, with a fantastical plot.

For fun, what is your favorite genre to read? Why?

I read almost exclusively YA, and usually it’s either fantasy or light scifi. I do like contemporary YA as well.

Where can readers track you down?

https://twitter.com/stephsessa
http://stephsessa.blogspot.com/

Thanks for stopping by, Steph!

Why Write: Erotic Romance with Jennah Scott

J.ScottReaders, today we have writer Jennah Scott here to talk about erotic romance! Jennah’s a cross-genre writer, and today she has some great things to say about why people love romance, some of the differences between erotica and erotic romance, and why we all love a good steamy scene in the books we read. Enjoy!

Tell us a little about yourself and your work.
I’m still pretty new when it comes to the publishing community. I’ve been seriously writing for about three years now. I self-published my first book, Making His Mark, in January and just sold Scrap Metal to Liquid Silver Books. Scrap Metal is a contemporary romance that I wrote with my critique partner and very good friend, Alexi Raymond.

What made you decide to write erotic romance?
It was a challenge. When I originally decided I wanted to pursue a career in writing I started writing YA. All of my characters were older, more along the lines of New Adult, but at the time New Adult still wasn’t accepted. Then I decided to push myself and see if I could write romance. The romance challenge turned into writing erotic romance. I wanted to know if I could bring in the physical act of sex and layer in the emotion that comes along with physical attraction. There is so much vulnerability in opening yourself up to someone like that. I wanted to show that, let my readers experience the joy and complications sex can add to a story. A romance will always have tension, but being able to experience that tension play out to pleasure adds to the development of both the characters and relationship—in my opinion.

What types of stories does erotic romance make possible? Does the addition of the classification “erotica” influence the romances you write?
I think any story idea with the right characters could be erotic romance. Certain genres, like YA, don’t allow for erotic romance, which is fine with me. Personally, I don’t want to read about teenagers getting down and dirty. That should be a time they are exploring, so I’m good keeping it behind doors. Other than that, let the creativity flow. The thing about erotic romance is that the sex enhances the story. It’s not THE story. When it’s THE story then it’s erotica. Big difference. Erotic romance has a plot, character development, and a happily ever after. Writing erotic romance, for me, allows me to write without any restrictions.

What audience do you think erotic romance attracts? How does that alter the types of stories you tell and characters you write?
Good question! I’m usually surprised by the people that tell me they like erotic romance. In general though, I think the audience is women in their late twenties and up. The great thing about it is that you can love any genre and find an author that writes erotic romance in that genre. So it’s not limited to contemporary. The audience doesn’t alter my writing. If I’ve got a story I want to write, I write it. More than once I’ve decided to write a story because I couldn’t find one that I wanted to read. For instance, I just finished a story whose main characters are both in the video game development industry. There aren’t a whole lot of nerdy type males in books, so I wrote one.

How does erotic romance affect the stakes for your characters and your audience?
It increases the stakes. When you bring that layer into the mix it’s harder to leave and when the characters face problems the heartbreak is greater. Taking that step from a simple relationship to a more physical relationship can be a big deal. Depending on your character and their desires, there is a lot of trust building up. When that’s broken, it hurts. If I’ve written the story well enough, then my audience feels the pain and heartache.

Why do you think people love to read erotic romance?
Because you can let go of all your inhibitions. The characters do. Even if they have worries about what friends, family, etc. thinks they find a way to move past that. I think erotic romance gives readers a chance to let go of the stigma about sex and just enjoy.

For fun, what is your favorite genre to read? Why?
Contemporary romance is my favorite. But I’ll read almost anything. My favorite authors span across multiple genres from paranormal to historical, YA, New Adult, and everything in between. I love contemporary because I can easily relate to the locations, characters, etc. But there is something to be said about a good paranormal or fantasy that takes you into a whole new world you don’t want to leave.

Where can readers track you down?

Twitter: https://twitter.com/jennah_scott

Facebook: http://www.facebook.com/authorjennahscott

Pinterest: http://pinterest.com/jennahscott/

Website: http://www.jennahscott.com

Thanks for stopping by, Jennah!

Guilty Pleasures

*cough* This is a really old post that’s been in my drafts folder since January. I thought you guys might actually like to read it!

I spent most of today out with a friend and running errands, so I haven’t had time to write.

Translation: I didn’t get home till three and that felt too late to get any real work done, so I decided to do some less productive crafty work and watch old episodes of The Vampire Diaries. Episodes I’ve seen before. Episodes that aren’t particularly noteworthy except for the abundance of pretty people moping about who’s not sleeping with whom.

Yep. I’m a shameless lover of teen vampires. In fact, while I’m confessing things, I’ll admit that I’ve read Twilight. More than once. The Kindle was a godsend because it meant I no longer had to deal with my husband’s mockery when I wanted to read something really and truly awful—now I don’t have to face the shame of, say, the cover of Breaking Dawn staring at him from my nightstand, giving away my weakness. I read Twilight like some women read bodice-rippers, the ones with shiny, shirtless men on the covers: furtively, pop-eyed, and generally while hiding the evidence.

Come to think of it, that sounds rather like one of the signs of addiction. The one where you lie about your problem. Also the one where you feel guilt and shame. And that other one, where you put time and effort into your habit.

I only know about those signs for research, of course. Totally.

I like literature, too, I’ll have you know. I reread Jane Austen’s complete works every year. A Farewell to Arms is one of two books that makes me cry. I am capable of exerting some self control and occasionally reading things that actually merit my love.

But, damn it, every now and then I just like to lose myself in a fluffy, high-stakes romance between two pretty (and often fanged) people. I also like dipping my fries in mustard. Whatchu gonna do, sue me?

I AM NOT ASHAMED.*

The fact is, I’m not alone. Twilight sold a flobbity-gillion copies. Margot Adler incorporated her obsession with vampire novels (including Twilight) into a series of academic lectures. How many people watch The Vampire Diaries? More than a few, judging by Twitter on Thursday nights.

Everyone has a few guilty pleasures. Maybe for you it’s not teen vampires. Maybe it’s wealthy teens who sleep around a lot. Maybe it’s those afternoon soap operas. (Do those still exist anymore?) Maybe it’s some terrible sitcom.

But you know… you can tell me.

This is a safe space. No one here will judge you.** C’mon. you know you want to share. What’s your guilty pleasure?

 

 

*Okay, I’m a little ashamed. Fine, a lot. That doesn’t stop me, though.

**Much