Why It Might Actually Suck to Live in the Harry Potter Universe

Some of you may regard this post as rank heresy, but I assure you, it’s all meant in good fun.

My husband and I like to play a silly and very geeky game I affectionately call, “Would You Live In That Universe?”

Okay, I don’t actually call it that, and it’s not really a game, just an ongoing discussion we pick up every few weeks or months, usually when we’ve read or watched something new and interesting. It basically just involves analyzing whether or not we’d live in a particular universe and why. Neither of us would live in the Puella Magi Madoka Magica universe, for example, but we’d both consider living in the xxxHolic world. We’re iffy on the Star Wars universe, and we’ve agreed to steer well clear of Westeros. I’d pick up and move to Hyrule, though, and Drew would probably tag along.

But the Harry Potter universe is a point of contention.

harry-potter06

I, with my Deathly Hallows tattoo and yearly reread of the books, would obviously be down with living there—at least, if I got to be a witch and not a Muggle. My husband isn’t really in favor of it, though, and after my most recent reread… well… I’ll admit he has a few points.

  1. Wizards have a shockingly lackadaisical approach to basic education and real world skills. How on earth did someone like Ron learn to read? And Mr. Weasley can’t even identify basic British currency by the numbers written on the notes? That’s some frightening ignorance, right there. We get the impression that wizard children don’t have much exposure to the Muggle world, and while I’m not a huge fan of public education, I can admit it has its values. Socializing children and teaching them to recognize basic numerals and, you know, LETTERS, is pretty important.

    And it shows, guys. It shows.

  2. Every single witch and wizard is packing. Seriously. Think about it. Wizards describe guns as a sort of metal wand that Muggles use to kill each other. Wands = guns. Every single person in this universe is carrying concealed (or waving the damn thing around in the air). At any moment, someone could hook you into the air by your foot or stupefy you or silence you or much, much worse.. If that’s not a recipe for disaster and serious bullying, I don’t know what is.

    “Oops.” Yeah, right.

  3. Animal cruelty has been institutionalized and is taught in schools. We don’t hear a lot about what happens to those hedgehogs that are getting transfigured into pincushions, but we do know they feel pain—a poorly transfigured pincushion will curl up in fear. How sick is that? And what happens to the disembodied rat tails and vanished kittens? How do we know that tail isn’t feeling unbearable pain? I don’t know about you, but I’d feel really uncomfortable transfiguring another living creature without its consent or a confident, scientific assurance that it’s not feeling any pain.

    totslly barbaric

    Killer chess pieces? Barbaric. Disembodied rat tails? Totally fine.

  4. A huge percentage of wizards are classist or ableist or racist. Okay, this one isn’t that much different than our world, but it’s still disappointing. Ron is constantly bullied for being poor. Hermione is called Mudblood how many times? Squibs are essentially disowned and banished to the Muggle world. And Muggles are regarded as precious oddities at best and disgusting animals at worst. I’ll admit that our heroes are far kinder to these subgroups, but a huge number of wizards we encounter take a very poor attitude to people who don’t look and act exactly as they do. Birth is everything in this world. Pity the Mudbloods, man, but pity the Squibs even more.

    Manners matter, Malfoy.

  5. The government is everywhere. Everyone is magically tagged until they reach the age of 17, and after that point, the magical government is still watching to make sure you don’t take one step out of line. Characters are imprisoned at the drop of a hat, or just to make people feel better (Hagrid in Azkaban? SERIOUSLY?), and the government has a hand in everything from education to medical care to journalism. I know the books are set in a time of war, but the whole question of the Trace makes me feel a little iffy about just who would be watching me.

    …because we’ll sure as damn hell be listening!

  6. Everyone seems to get married, have kids, and die really, REALLY young. Lily and James were, like, 20 when they had Harry. And in the epilogue, Harry is 36ish with three kids. That’s awesome, and great if it’s what you want, but where’s the magical birth control? Are witches and wizards at least being taught how to practice safe sex? And while it seems like Hermione and Ginny go on to have interesting careers, we don’t hear a lot about what other generations are doing. What’s Fleur doing after her marriage to Bill? What did Lily Potter do? And where on earth are Harry’s grandparents? Life expectancy in this world can’t be much more than about 50—and that’s with people like Dumbledore and Bathilda Bagshot throwing off the curve. I’d be a little concerned about burning the candle at both ends, if I lived in this universe. I’m 30 and I’m not an Auror OR a parent yet. What am I even doing with my life?

    With middle age comes… bags under the eyes?

See what I mean? Would YOU live in this universe?

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The Power of Partnership: Guest Post by Emmie Mears

Greetings, dear readers! Today we have a guest post from the awesome Emmie Mears, whose debut novel, The Masked Songbird, will be released from Harlequin on July 1. Check out what she has to say, and then be sure to run on over to Amazon and pre-order your digital copy today! 

The Masked Songbird_FC (2)The Power of Partnership

Many parts of life require partnership. We all know the saying about how no one’s an island, yadda yadda, but when you’re in a creative profession, you can often feel like one. In my early days of writing, I wrote like an island. I didn’t seek out critique. I didn’t read craft books. I worked in an extreme version of “write what you know.”

It wasn’t until I started really reaching out to other writers that I was able to kick my writing into the next gear. My lovely host and bosom friend, Kristin, was one of those writers.

When I started querying my first novel, I had high hopes. I thought it was ready. I’d written two and a half books and had been over my first one about fifteen times in four years. I loved my characters and my story, and I was sure I was going to get an agent.

“If you’d brought this to me four years ago, I could have sold it in a hot second.”

Those were the words I heard from a powerhouse agent at my first writing conference in New York. I was shocked, but not crushed. I got a few requests from other agents that day, all of which petered into rejections. A couple months later, a bestselling author contacted me and said she liked my blog so much that she wanted to read my fiction. I sent her the first couple chapters of this book, and crossed my fingers. When she called me to talk about it, I heard the best words I think I’d heard to that point in my career:

“I don’t think this is submission ready.”

Deep down, I’d known that I hadn’t really been editing it; I’d been tinkering. I’d been on my writing island for so long that I’d been writing around in circles without realizing it.

I put that book aside to think. Two months later, I started another book. I finished it six weeks later. That was two years ago. By then, I had a team of fantastic betas and Kristin for a critique partner. In two months, I had it polished up and ready to query.

Kristin graciously agreed to host me today. I couldn’t think of a better place to start this blog tour, because that little book I scribbled out in six weeks was THE MASKED SONGBIRD, which is coming out two weeks from today from Harlequin.

Without partners, I don’t think I would be here right now. Without the feedback of people (some of it hard to hear), my debut wouldn’t yet be happening.

We really aren’t islands; even in creative professions, we need the community of peers who can offer insight and encouragement. While people can go it alone sometimes, having partners who are with you on the same path can help you get to your destination faster.

You can preorder THE MASKED SONGBIRD here (http://www.amazon.com/dp/B00JD7TWZK)! Released in a box set, you get four great paranormal and urban fantasy books for less than $4!

Follow Emmie on Twitter @EmmieMears or come join her on Facebook!

IMG_7239Emmie Mears was born in Austin, Texas, where the Lone Star state promptly spat her out at the tender age of three months. After a childhood spent mostly in Alaska, Oregon, and Montana, she became a proper vagabond and spent most of her time at university devising ways to leave the country.

Except for an ill-fated space opera she attempted at age nine, most of Emmie’s childhood was spent reading books instead of writing them. Growing up she yearned to see girls in books doing awesome things, and struggled to find stories in her beloved fantasy genre that showed female heroes saving people and hunting things. Mid-way through high school, she decided the best way to see those stories was to write them herself. She now scribbles her way through the fantasy genre, most loving to pen stories about flawed characters and gritty situations lightened with the occasional quirky humor.

Emmie now lives in her eighth US state, still yearning for a return to Scotland. She inhabits a cozy domicile outside DC with two felines who think they’re lions and tigers.

 

Guilty Pleasures

*cough* This is a really old post that’s been in my drafts folder since January. I thought you guys might actually like to read it!

I spent most of today out with a friend and running errands, so I haven’t had time to write.

Translation: I didn’t get home till three and that felt too late to get any real work done, so I decided to do some less productive crafty work and watch old episodes of The Vampire Diaries. Episodes I’ve seen before. Episodes that aren’t particularly noteworthy except for the abundance of pretty people moping about who’s not sleeping with whom.

Yep. I’m a shameless lover of teen vampires. In fact, while I’m confessing things, I’ll admit that I’ve read Twilight. More than once. The Kindle was a godsend because it meant I no longer had to deal with my husband’s mockery when I wanted to read something really and truly awful—now I don’t have to face the shame of, say, the cover of Breaking Dawn staring at him from my nightstand, giving away my weakness. I read Twilight like some women read bodice-rippers, the ones with shiny, shirtless men on the covers: furtively, pop-eyed, and generally while hiding the evidence.

Come to think of it, that sounds rather like one of the signs of addiction. The one where you lie about your problem. Also the one where you feel guilt and shame. And that other one, where you put time and effort into your habit.

I only know about those signs for research, of course. Totally.

I like literature, too, I’ll have you know. I reread Jane Austen’s complete works every year. A Farewell to Arms is one of two books that makes me cry. I am capable of exerting some self control and occasionally reading things that actually merit my love.

But, damn it, every now and then I just like to lose myself in a fluffy, high-stakes romance between two pretty (and often fanged) people. I also like dipping my fries in mustard. Whatchu gonna do, sue me?

I AM NOT ASHAMED.*

The fact is, I’m not alone. Twilight sold a flobbity-gillion copies. Margot Adler incorporated her obsession with vampire novels (including Twilight) into a series of academic lectures. How many people watch The Vampire Diaries? More than a few, judging by Twitter on Thursday nights.

Everyone has a few guilty pleasures. Maybe for you it’s not teen vampires. Maybe it’s wealthy teens who sleep around a lot. Maybe it’s those afternoon soap operas. (Do those still exist anymore?) Maybe it’s some terrible sitcom.

But you know… you can tell me.

This is a safe space. No one here will judge you.** C’mon. you know you want to share. What’s your guilty pleasure?

 

 

*Okay, I’m a little ashamed. Fine, a lot. That doesn’t stop me, though.

**Much

 

Why Write: Urban Fantasy with Emmie Mears

Said familiar face; Photograph by Colleen Barrett of Blue Tree Photography.

Said familiar face; Photograph by Colleen Barrett of Blue Tree Photography.

Hey readers! As promised, here is the very first Why Write interview! Because Emmie Mears is my critique partner, query-trenches comrade, and generally buddy, she gets to open this (hopefully) entertaining and enlightening series and set the bar for the rest of us. Plus she’s a fantastic writer and keeper of a fabulous blog, so you should listen to what she has to say.

Hello, Emmie, and welcome! You’re a familiar face around these parts, but go ahead and tell us a little about yourself and your work.

I was that kid who moved around all the time. No, we weren’t military. No, I can’t give any great reason for it, other than that we were excessively poor and usually searching for better economic climes. Because of all the moves, I was a child with a painstaking level of shyness, and I escaped into books more often than not. I fell in love with fantasy and horror first — R.L. Stine and Christopher Pike practically raised me to be this nuts. Sprinkle in a bunch of teen babysitters and L.J. Smith’s Night World series, and I can pretty much see my writing preferences forming in front of my eyes.

I first attempted writing sci-fi, then gave up because I really had no idea about space (I was 9). After that I tried epic fantasy, but found my own work so naive that I almost threw it into the woodstove. Finally, I settled into urban fantasy, and I’ve made a nest there. I love grit and darkness with a healthy addition of quirk and humor. I adore writing female characters who rise above their circumstances in some way and who are more concerned with saving the world than finding a boyfriend.

What made you decide to write urban fantasy?

I don’t remember hearing the name of the genre when I was growing up, but a lot of L.J. Smith’s books would probably fit into that genre (though an argument can also be posed for paranormal romance). I love both the ideas of worlds within our own and the supernatural among us, and I’m lazy, so this way the basic structure of our world remains intact (usually).

What types of stories does urban fantasy make possible?

I think that this genre has a very interesting ability to allow for human stories to be told through a supernatural lens. Buffy the Vampire Slayer is a perfect example — many of the episodes use demons and apocalypses to personify the struggle of reaching adulthood and beyond. That’s not to say the same isn’t possible in other genres, but there’s a candor to urban fantasy that I like. It’s not afraid to get messy, and it gives me the freedom to explore all sorts of “what if” scenarios. What if you drank a serum that was supposed to cure your boss’s daughter of terminal cancer? What if that boss already had it in for you? What if she was involved in a political conspiracy against your country?

See? FUN.

What audience do you think urban fantasy attracts? How does that audience influence the types of stories you tell and characters you write?

I think urban fantasy readers (like most fantasy readers) want an escape. There tends to be a common element of “chosen-ness” within the fantasy genre as a whole. A protagonist is the only one who can fight XYZ Evil. I think growing up it attracted me because I (the painfully shy) desperately wanted to be chosen for something majestic and terrible and awesome. At the same time, these characters are often deeply flawed, which is something I think people relate to. Most humans don’t like themselves all the time.

I try to write urban fantasy with that in mind, because I don’t think I’m alone in that mindset. If people want an easy escape, they’ll read something less gritty. But urban fantasy readers want that darkness, that gray area. I try to let that breathe in my characters and like to give them problems that challenge what they’ve thought in the past and push them into territory that makes them uncomfortable — and that makes them have to face their flaws head-on.

How does urban fantasy affect the stakes for your characters and your audience?

As you know, *laughs* I tried to write a magical realism novel this winter. I’m so used to the stakes being primarily physical (if you don’t succeed, you and a bunch of other poor sods will DIE HORRIBLY!) that I struggled writing something where most of the stakes were emotional. In urban fantasy, the stakes tend to be very physical AND emotional, but the physical stakes usually drive the plot. When there are literally creatures that want to eat you, well. Stakes. You’ve got them. And you might become them. Or become steaks, anyway.

Why do you think people love to read urban fantasy? How do you think urban fantasy affects its audience?

I think there’s a certain amount of wish fulfillment involved. Urban fantasy protagonists tend to be badasses in larger-than-life conflicts. And who doesn’t want to be a badass hero from the safety of your living room?

I think urban fantasy as a genre can really allow readers to question themselves in a healthy way. I still remember the effect Buffy had on me when I first watched it, or how I felt about Anita Blake’s development and how it challenged how I thought about my own power and my sexuality, or how I could empathize with Rachel Morgan as she discovered things about herself that made her squirm. I’ve grown up in a lot of ways as a direct result of my imagination coming into contact with these characters and these stories. I think other people feel the same.

For funsies, what is your favorite genre to read?

Erm…urban fantasy. Well, any fantasy. Give me magic and creatures and gray areas, and I’m a happy Emmie.

Thanks so much for having me around today, Kristin! *waves to readers*

If you want to track Emmie down, you can reach her via the following links!
Blog: http://www.emmiemears.com
Twitter: http://www.twitter.com/emmiemears
Facebook: http://www.facebook.com/emmiemears

Student of history. Gamer. Language nerd. Displaced Celt.

Emmie spends at least an hour a day preparing for or thinking about the zombie apocalypse.

Future calamity notwithstanding, Emmie hunts stories in dark alleys and in stone circles and spends most nights listening for something that goes bump.

Emmie lives outside D.C. with her husband, a husky puppy who talks too much, and a tabby who thinks she’s a tiger.

She is currently mucking up the lives of demon-hunters and mythology professors for her current projects. Emmie is represented by Jessica Negrón of Talcott Notch Literary Services.

Gettin’ Nerdy With It: RPGs

My husband and I reached a whole new level of nerdy yesterday—and for the couple known as ‘the Doctor Who people’ among our local friends, that’s really saying something.

A degrading Changeling: who doesn't want to pretend to be a creepy horny fairy thing?

A degrading Changeling: who doesn’t want to pretend to be a creepy horny fairy thing?

We dug ourselves deep into the land of Storytelling RPGs, specifically Changeling: the Lost, one of the spin-offs of Vampire: the Requiem, and a sort of grandchild to the 1990s game Vampire: the Masquerade.

Whoa. That’s a whole lotta nerdy right up front there, so let me explain a little more for you muggles in the audience. (You muggles know you’re probably way cooler than me in real life, right?)

A Storytelling RPG, to simplify it vastly, is a game for two or more people based on made-up characters engaging in imaginary adventures: it’s not unlike when you and your childhood best friend pretended to gypsy princesses in a fantasy land, but you sit at a table instead of frolicking around the backyard. (Just me? Awkward.) The designated storyteller guides the characters through their quest, and each player rolls dies to determine the success or failure of their actions.

In White Wolf Publishing’s World of Darkness, everything is similar to ours but just slightly askew. Vampires, ghosts, goblins, and fairies are real. Quests generally involve chasing a magical item, seeking spells, and fighting the forces of darkness—or light, depending on your character preference. There are intricate backstories for every breed of character and every aspect of this universe. Game plots make for fantastic reading, as does the world-building.

It’s… an urban fantasy universe!

So let’s pause a moment here. This is a game that involves making up stories about imaginary characters and spinning out the tension in their adventures for as long as possible.

Why the hell aren’t all fantasy writers already playing this?!

Well, there are a few reasons.

1. It’s super-nerdy, and requires nerdy friends. People already think fantasy writers are crazy; we don’t need to give them more reasons to not hang out with us.

2. It’s time-consuming. You have to make up your character, spend ages learning minute rules, and then spend hours on game play… because we all have so much free time to kill.

3. It can lead to excessive nerdiness, like LARPing, which involves dressing up like your characters and pretending to be them in real life. *shiver*

This history of LARPing goes way back to… wait, no, that’s not history. It’s an old-time fauxtograph of people LARPing as Victorians. (Image via Wikipedia.)

Spouse and I started checking it (Changeling, not LARPing!) out because, well, we’re already super-nerdy, and because we want a new game to play with some of our friends.

Now the real question is… how do we convince our friends to play with us?

Being me, I have listed a few reasons why it’ll be fun:

1. We can pretend to be fairies with specific magical powers! They can look like unicorns if we want them to! We can draw pictures and make up back-stories! (This may not work on the menfolk.)

2. It’ll be hilarious. Come on, grown-ups sitting around a table arguing over why Person A’s vampire is a way better candidate to take on that NPC-troll than Person B’s darkling fae? That’s comedy gold.

3. It’s not that different than historical re-enacting, really. (Our friends used to re-enact.) Actually, it’s just like it, but without the real history or the trips to cool places. And we’d rather not start doing the costumes.

4. It involves some theater! We can turn down the lights and pretend my husband (designated Storyteller because only he actually understands the rules) is telling us a scary choose-your-own-adventure story. And when we need sound effects, like gunshots or ghosts moaning, we can totally add them in!

5. There will be alcohol involved!

What do you think, readers? Would you play with us? How would you convince someone to try an RPG?